HELENA VON ZWEIGBERGK

 
 

Helena von Zweigbergk is a Swedish author, journalist and film critic. She’s interested in all kinds of close relationships - the most important and perhaps most difficult aspect to master in our lives. In 2001, she made her debut novel with the crime novel DET GUD INTE SÅG (WHAT GOD DID NOT SEE), which eventually became four books with the prison priest Ingrid as the main character. Ingrid solves riddles in the women's prison, but she also struggles with herself, her faith and with love.

von Zweigbergk made her big breakthrough with UR VULKANENS MUN (FROM THE MOUTH OF THE VOLCANO) in 2008, depicting a dramatic marital crisis during a week's holiday in Sicily. von Zweigbergk says she wrote it in a state of uninterrupted embarrassment, telling us how we can behave when no one else is watching.

Since then, she has written several widely acclaimed and successful novels. She’s currently writing on the novel project ‘Drömmar om frihet’ (Dreams of Freedom) The first book 1959, INGRID AND GEORG, A LOVE STORY was published 20222 and the second book 1979, INGRID AND JOHANNA A FAMILY DRAMA was published 2024. Two more books is planned for this series.

Several of her novels have also been adapted for the stage, and in 2024 she wrote her first play ‘Gå sin väg’, which premiered at the Helsingborg City Theatre.

Photo: Mattias Edwall

Agent Moa Alfvén

 
 
 

1979 JOHANNA AND INGRID A FAMILY DRAMA

PUBLISHED NORSTEDTS 2024
GENRE NOVEL
PAGES 354


ALL RIGHTS AVAILABLE


When Ingrid meets her younger teaching colleague Torkel, she falls head over heels in love with him. He is different from all the men she has met before, open, seductive, caring and full of the new ideas of the 70s about how to be and live. And Ingrid lets him into the well-organised, independent life she has built up over many years since her divorce from Georg. The two children look at Torkel with great suspicion. Who is this man who has stormed into their mother's life and made her so alienated and changed? Tom has already moved out, but Johanna, who has just graduated and is eager to take her first steps into adulthood, is visibly disturbed by Torkel's insistent presence. Ingrid doesn't understand why Johanna is suddenly so stiff and withdrawn.

Torkel drills his way into their lives and seems to believe that he is the one who has the mission to free them all. And his demand for openness is both enticing and threatening.

Ingrid knows this is a relationship that won't last, but she intends to enjoy it while it lasts. Why can't the children be happy for her?

This is a revolutionary story of a condition that manages to shake the whole family to the core in the summer of 1979.

 
 
 

1959 INGRID AND GEORG A LOVE STORY

PUBLISHED NORSTEDTS, 2022
GENRE NOVEL
PAGES
380

ALL RIGHTS AVAILABLE

Stockholm in the late 1950s. Ingrid lives with her son Tom in a small flat. She is a teacher at a girls' school and enjoys being in charge of her own life. She is a welcome guest of her friend Britt and her husband Ingvar, a well-known film producer, who hosts fancy parties with exciting guests.

Then she meets Georg, a young ambitious journalist, who has just moved to the city and has big dreams of modernity and a society that promises a better future for everyone.

Neither of them is in a hurry to commit, but when Ingrid becomes pregnant, they do what is expected of them, taking responsibility and planning for a family together. They share hopes for companionship and love, but also both have a strong desire for a freer way of life. But how do they balance their expectations when they still live in an age of convention and tradition? And can they be sensitive to their own and each other's perceptions?

Helena von Zweigbergk's novel brings to life a time, a city, and a couple. A woman and a man from very different backgrounds, trying to share their dreams of a brighter future and a more modern way of living and loving.

REVIEWS

‘an impressive high tempo’ Göteborgs-Posten

‘The Malmö feeling is very good from the start. /.../ this is a series I will follow’ Sydsvenskan

‘A creeping tension is maintained throughout the story by several elegantly laid out red herrings. Rating: 4/5’ BTJ